{"id":5332,"date":"2021-12-16T09:50:22","date_gmt":"2021-12-16T08:50:22","guid":{"rendered":"https:\/\/sites.ac-nancy-metz.fr\/eac57\/?post_type=ressource&p=5332"},"modified":"2024-06-27T08:17:08","modified_gmt":"2024-06-27T06:17:08","slug":"peer-gynt","status":"publish","type":"ressource","link":"https:\/\/sites.ac-nancy-metz.fr\/eac57\/ressource\/peer-gynt\/","title":{"rendered":"Peer Gynt"},"content":{"rendered":"\n

Le passage le plus connu de cette pi\u00e8ce d’Edvard Grieg, \u00ab\u00a0Dans le hall du roi de la montagne\u00a0\u00bb, agr\u00e9ment\u00e9 de quelques percussions corporelles.<\/p><\/blockquote>\n\n\n\n

Vous avez peut-\u00eatre vu passer sur la toile, cet extrait agr\u00e9ment\u00e9 de percussions corporelles, par le groupe Body Avlaia. Nous l’avons un peu revisit\u00e9, pour l’adapter \u00e0 des classes de l’\u00e9l\u00e9mentaire et aussi pour que cette version soit moins covid-friendly !<\/p>\n\n\n\n

LA VIDEO<\/h2>\n\n\n\n
\"\"<\/a><\/figure>\n\n\n\n

LES PERCUSSIONS CORPORELLES<\/h2>\n\n\n\n

4 boucles de percussions \u00e0 travailler ind\u00e9pendamment:<\/p>\n\n\n\n

PARTIE 1<\/p>\n\n\n\n

Boucle A :<\/p>\n\n\n\n

TT CC SS M CCS CCM TT CC SS M T CC SS M<\/p>\n\n\n\n

Boucle B :<\/p>\n\n\n\n

TT CC SS M CCS CCM TT CC SS M PPP S<\/p>\n\n\n\n

T : torse \/ C : cuisse \/ S : snap \/ P : pieds<\/p>\n\n\n\n

PARTIE 2<\/p>\n\n\n\n

Boucle C :<\/p>\n\n\n\n

CdCgCdCg Cud Cug Cud CdCgCdCg Cud Cug Cud<\/p>\n\n\n\n

Boucle D :<\/p>\n\n\n\n

CdCgCdCg Cud Cug Cud CdCgCdCg Cud PPP S<\/p>\n\n\n\n

CCCC : frapper alternativement Cuissse droite C gauche
Cud: cuill\u00e8re droite \/ Cug : cuill\u00e8re gauche (cuill\u00e8re ? m\u00e9taphore qu\u00e9b\u00e9coise !)<\/p>\n\n\n\n

STRUCTURE<\/h2>\n\n\n\n

Partie 1
A____: TT CC SS M CCS CCM TT CC SS M T CC SS M
A____: TT CC SS M CCS CCM TT CC SS M T CC SS M
B____: TT CC SS M CCS CCM TT CC SS M PPP S
B____: TT CC SS M CCS CCM TT CC SS M PPP S
A____: TT CC SS M CCS CCM TT CC SS M T CC SS M
A____: TT CC SS M CCS CCM TT CC SS M T CC SS M<\/p>\n\n\n\n

Partie 2
C____: CdCgCdCg Cud Cug Cud CdCgCdCg Cud Cug Cud
C____: CdCgCdCg Cud Cug Cud CdCgCdCg Cud Cug Cud
D____: CdCgCdCg Cud Cug Cud CdCgCdCg Cud PPP S
D____: CdCgCdCg Cud Cug Cud CdCgCdCg Cud PPP S
C____: CdCgCdCg Cud Cug Cud CdCgCdCg Cud Cug Cud
C\u2019____: CdCgCdCg Cud Cug Cud CdCgCdCg PPPP final : frapp\u00e9s mains<\/p>\n\n\n\n

Cliquez ici pour t\u00e9l\u00e9charger la structure<\/a>T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Le passage le plus connu de cette pi\u00e8ce d’Edvard Grieg, \u00ab\u00a0Dans le hall du roi de la montagne\u00a0\u00bb, agr\u00e9ment\u00e9 de quelques percussions corporelles. Vous avez peut-\u00eatre vu passer sur la…<\/p>\n","protected":false},"author":3,"featured_media":5432,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"thematiques":[15,130,40],"pratiques":[51,23],"cycles":[11],"contributeurs":[54,53,55],"class_list":["post-5332","ressource","type-ressource","status-publish","has-post-thumbnail","hentry","thematiques-hiver","thematiques-musique","thematiques-musique-classique","pratiques-jeu-de-rythme","pratiques-percussions-corporelles","cycles-c2","contributeurs-aurelien-meyer","contributeurs-aurelien-robinet","contributeurs-elisabeth-bock"],"yoast_head":"\nPeer Gynt - EAC57<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/sites.ac-nancy-metz.fr\/eac57\/ressource\/peer-gynt\/\" \/>\n<meta property=\"og:locale\" content=\"fr_FR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Peer Gynt - EAC57\" \/>\n<meta property=\"og:description\" content=\"Le passage le plus connu de cette pi\u00e8ce d’Edvard Grieg, \u00ab\u00a0Dans le hall du roi de la montagne\u00a0\u00bb, agr\u00e9ment\u00e9 de quelques percussions corporelles. 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