{"id":620,"date":"2025-06-12T08:36:15","date_gmt":"2025-06-12T06:36:15","guid":{"rendered":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/?p=620"},"modified":"2025-06-12T09:19:46","modified_gmt":"2025-06-12T07:19:46","slug":"exposition-sorcieres-1860-1920-fantasmes-savoirs-liberte","status":"publish","type":"post","link":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/2025\/06\/12\/exposition-sorcieres-1860-1920-fantasmes-savoirs-liberte\/","title":{"rendered":"EXPOSITION \u00ab\u00a0SORCIERES (1860-1920) : FANTASMES, SAVOIRS, LIBERTE\u00a0\u00bb"},"content":{"rendered":"\n<div class=\"wp-block-media-text is-stacked-on-mobile\"><figure class=\"wp-block-media-text__media\"><a href=\"https:\/\/museepontaven.fr\/expositions\/sorcieres-1862-1914\/\"><img loading=\"lazy\" decoding=\"async\" width=\"819\" height=\"1024\" src=\"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/sorciere-expo-temporaire-819x1024.jpg\" alt=\"\" class=\"wp-image-622 size-full\" srcset=\"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/sorciere-expo-temporaire-819x1024.jpg 819w, https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/sorciere-expo-temporaire-240x300.jpg 240w, https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/sorciere-expo-temporaire-768x960.jpg 768w, https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/sorciere-expo-temporaire-1229x1536.jpg 1229w, https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/sorciere-expo-temporaire.jpg 1377w\" sizes=\"auto, (max-width: 819px) 100vw, 819px\" \/><\/a><\/figure><div class=\"wp-block-media-text__content\">\n<p>Le <a href=\"https:\/\/museepontaven.fr\/expositions\/sorcieres-1862-1914\/\">mus\u00e9e de Pont-Aven<\/a> organise cet \u00e9t\u00e9 une exposition en partenariat avec le mus\u00e9e d\u2019Orsay qui met \u00e0 l\u2019honneur la figure de la sorci\u00e8re au XIX<sup>e<\/sup> si\u00e8cle. Au c\u0153ur de notre imaginaire collectif, les sorci\u00e8res ont longtemps incarn\u00e9 l\u2019all\u00e9gorie de la vieillesse, de la mort, du vice et du mal. Elles sont associ\u00e9es au surnaturel, \u00e0 la nature, \u00e0 ce qui fait peur et que l\u2019on ne ma\u00eetrise pas. Mais 1862 marque une rupture avec la publication de <em>La Sorci\u00e8re<\/em>\u00a0de l\u2019historien Jules Michelet : la sorci\u00e8re devient alors \u00e0 la fois un embl\u00e8me de r\u00e9volte, de connaissance et d\u2019harmonie avec les \u00e9l\u00e9ments naturels, posant les bases de l\u2019\u00e9cof\u00e9minisme.<\/p>\n<\/div><\/div>\n\n\n\n<p>Le parcours de l&rsquo;exposition se d\u00e9ploie en trois grandes sections qui forment un cercle, la premi\u00e8re section rejoignant la derni\u00e8re :&nbsp;<strong>la nuit<\/strong>,&nbsp;<strong>le corps<\/strong>,&nbsp;<strong>le savoir<\/strong>.<\/p>\n\n\n\n<p>Ces trois grandes sections s\u2019articulent autour de la notion de transgression et de d\u00e9sir :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li><strong>Le feu de la nuit<\/strong>&nbsp;: la nuit, domaine de la libert\u00e9, de l\u2019imaginaire et des possibles, des d\u00e9bordements des fronti\u00e8res, des m\u00e9tamorphoses.<\/li>\n\n\n\n<li><strong>Le feu au corps<\/strong>&nbsp;: le corps f\u00e9minin, territoire de l\u2019immensit\u00e9 du d\u00e9sir, de la sexualit\u00e9 qui fascine et effraie, support des fantasmes.<\/li>\n\n\n\n<li><strong>Le feu du savoir&nbsp;<\/strong>: c\u2019est l\u2019une des sources de la peur que la sorci\u00e8re inspire : un savoir \u00e0 la fois occulte et organique, une communication avec l\u2019invisible et une connaissance de la nature, qui lui donne un pouvoir de vie et de mort sur les naissances et les r\u00e9coltes.<\/li>\n<\/ul>\n\n\n\n<p>Plusieurs ressources en ligne accessibles \u00e0 tous accompagnent l&rsquo;organisation de cette exposition :<\/p>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Un dossier p\u00e9dagogique accompagnant l&rsquo;exposition :<\/li>\n<\/ul>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/MPA_DP_SORCIERES.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Contenu embarqu\u00e9 MPA_DP_SORCIERES.\"><\/object><a id=\"wp-block-file--media-028867c0-5706-4f83-86b4-fc2a108b6183\" href=\"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/MPA_DP_SORCIERES.pdf\">MPA_DP_SORCIERES<\/a><a href=\"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/MPA_DP_SORCIERES.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-028867c0-5706-4f83-86b4-fc2a108b6183\">T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Un riche dossier presse qui approfondit le propos de l&rsquo;exposition :<\/li>\n<\/ul>\n\n\n\n<div data-wp-interactive=\"core\/file\" class=\"wp-block-file\"><object data-wp-bind--hidden=\"!state.hasPdfPreview\" hidden class=\"wp-block-file__embed\" data=\"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/DP-Sorcieres-Musee-de-Pont-Aven_compressed.pdf\" type=\"application\/pdf\" style=\"width:100%;height:600px\" aria-label=\"Contenu embarqu\u00e9 DP-Sorcieres-Musee-de-Pont-Aven_compressed.\"><\/object><a id=\"wp-block-file--media-7f8a3117-2614-47ed-9bbc-2f93778aea4a\" href=\"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/DP-Sorcieres-Musee-de-Pont-Aven_compressed.pdf\">DP-Sorcieres-Musee-de-Pont-Aven_compressed<\/a><a href=\"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-content\/uploads\/2025\/06\/DP-Sorcieres-Musee-de-Pont-Aven_compressed.pdf\" class=\"wp-block-file__button wp-element-button\" download aria-describedby=\"wp-block-file--media-7f8a3117-2614-47ed-9bbc-2f93778aea4a\">T\u00e9l\u00e9charger<\/a><\/div>\n\n\n\n<ul class=\"wp-block-list\">\n<li>Une <a href=\"https:\/\/www.radiofrance.fr\/dossiers\/france-culture-avec-vous-au-musee-de-pont-aven\">s\u00e9lection de podcasts<\/a>&nbsp;en lien avec le th\u00e8me des sorci\u00e8res&nbsp;propos\u00e9e par France Culture.<\/li>\n<\/ul>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>A travers l\u2019exposition \u201cSorci\u00e8res, fantasmes, savoirs, libert\u00e9\u201d, le mus\u00e9e de Pont-Aven retrace l\u2019\u00e9volution de l\u2019image des sorci\u00e8res dans l\u2019art entre 1860 et 1920. D\u2019abord associ\u00e9e \u00e0 la vieillesse, au mal ou \u00e0 la s\u00e9duction, la parution en 1862, du livre \u201cLa sorci\u00e8re\u201d de l\u2019historien Jules Michelet, lui attribue une tout autre image.<\/p>\n","protected":false},"author":2,"featured_media":621,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[54,69,21],"tags":[39,32,49,71,28],"class_list":["post-620","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-expositions","category-femmes-feminite-feminisme","category-ressources","tag-actualites","tag-baccalaureat","tag-exposition","tag-femmes-feminite-feminisme","tag-ressources"],"cc_featured_image_caption":{"caption_text":"","source_text":"","source_url":""},"_links":{"self":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-json\/wp\/v2\/posts\/620","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-json\/wp\/v2\/comments?post=620"}],"version-history":[{"count":2,"href":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-json\/wp\/v2\/posts\/620\/revisions"}],"predecessor-version":[{"id":626,"href":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-json\/wp\/v2\/posts\/620\/revisions\/626"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-json\/wp\/v2\/media\/621"}],"wp:attachment":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-json\/wp\/v2\/media?parent=620"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-json\/wp\/v2\/categories?post=620"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/histoire-des-arts\/wp-json\/wp\/v2\/tags?post=620"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}