﻿{"id":1655,"date":"2021-11-24T18:32:25","date_gmt":"2021-11-24T17:32:25","guid":{"rendered":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/?p=1655"},"modified":"2022-02-08T16:58:21","modified_gmt":"2022-02-08T15:58:21","slug":"le-pantheon-aux-grands-hommes-la-patrie-reconnaissante","status":"publish","type":"post","link":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/2021\/11\/24\/le-pantheon-aux-grands-hommes-la-patrie-reconnaissante\/","title":{"rendered":"Le Panth\u00e9on : &#8220;Aux grands hommes la Patrie reconnaissante&#8221;"},"content":{"rendered":"<div class=\"post-content\">\n<p class=\"has-medium-font-size\">Le Panth\u00e9on est un monument, situ\u00e9 dans le Ve arrondissement de Paris, o\u00f9 sont enterr\u00e9s les &#8220;Grands Hommes&#8221; (Des personnalit\u00e9s ayant servi la France).<\/p>\n\n\n\n<p class=\"has-medium-font-size\">   Ce monument est, au d\u00e9part, le projet de Louis XV qui tient \u00e0 remercier Sainte-Genevi\u00e8ve de l&#8217;avoir sauv\u00e9 d&#8217;une grave maladie. C&#8217;est lui qui posera la premi\u00e8re pierre le 6 septembre 1764. Mais de cette premi\u00e8re \u00e0 sa finalisation, le Panth\u00e9on traverse une histoire mouvement\u00e9e.<\/p>\n\n\n\n<p class=\"has-text-align-left has-medium-font-size\">C&#8217;est par l&#8217;architecte fran\u00e7ais Jacques Germain Soufflot, qui a notamment \u0153uvr\u00e9 \u00e0 la construction de la cath\u00e9drale Notre-Dame de Paris, qu&#8217;est \u00e9rig\u00e9 celui-ci. Il m\u00e9lange styles gothique et gr\u00e9coromain, pour concevoir l&#8217;\u00e9difice.                                                                                      La grande r\u00e9ussite du b\u00e2timent repose sur l&#8217;\u00e9l\u00e9ment dominant : Le d\u00f4me. Soufflot a fait b\u00e2tir un syst\u00e8me de 3 coupoles embo\u00eet\u00e9es les unes sur les autres.<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" width=\"400\" height=\"600\" src=\"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-content\/uploads\/2021\/11\/400px-Paris-Pantheon-Interieur.jpg\" alt=\"\" class=\"wp-image-2076\" srcset=\"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-content\/uploads\/2021\/11\/400px-Paris-Pantheon-Interieur.jpg 400w, https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-content\/uploads\/2021\/11\/400px-Paris-Pantheon-Interieur-200x300.jpg 200w\" sizes=\"(max-width: 400px) 100vw, 400px\" \/><figcaption>https:\/\/commons.wikimedia.org\/wiki\/File:Paris-Pantheon-Interieur.jpg<\/figcaption><\/figure>\n\n\n\n<p class=\"has-medium-font-size\">   La construction est quasiment termin\u00e9e en 1789  lors de la R\u00e9volution fran\u00e7aise, mais deux ans plus tard, les r\u00e9volutionnaires s&#8217;en emparent et en font un temple de la patrie. Ils d\u00e9montent alors les 2 clochers et 38 fen\u00eatres sont mur\u00e9es, le mobilier est \u00e9vacu\u00e9 et la croix au sommet est enlev\u00e9e. Ce n&#8217;est quand 1873 que les changements s&#8217;arr\u00eatent d\u00e9finitivement. <\/p>\n\n\n\n<p class=\"has-medium-font-size\">La devise du fronton a subi trois changements, avant d&#8217;\u00eatre finalement celle qu&#8217;on peut lire aujourd&#8217;hui :<strong> <em>&#8220;Aux gran<\/em>ds<em> hommes<\/em> <em>la Patrie reconnaissante<\/em>&#8220;<\/strong>.&nbsp;<\/p>\n\n\n\n<figure class=\"wp-block-image size-full\"><img loading=\"lazy\" width=\"799\" height=\"309\" src=\"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-content\/uploads\/2021\/11\/799px-Pantheon_wider_centered.jpg\" alt=\"\" class=\"wp-image-2074\" srcset=\"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-content\/uploads\/2021\/11\/799px-Pantheon_wider_centered.jpg 799w, https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-content\/uploads\/2021\/11\/799px-Pantheon_wider_centered-300x116.jpg 300w, https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-content\/uploads\/2021\/11\/799px-Pantheon_wider_centered-768x297.jpg 768w\" sizes=\"(max-width: 799px) 100vw, 799px\" \/><figcaption>https:\/\/commons.wikimedia.org\/wiki\/File:Pantheon_wider_centered.jpg<\/figcaption><\/figure>\n\n\n\n<p class=\"has-medium-font-size\">   Le Panth\u00e9on abrite aujourd&#8217;hui les tombes de 78 personnalit\u00e9s dont 5 femmes.                                        Voici quelques exemples (avec leur date d&#8217;entr\u00e9e) :<\/p>\n\n\n\n<ul class=\"has-medium-font-size\"><li>Des \u00e9crivains : Voltaire (1791), Jean Jacques Rousseau (1794), Victor Hugo (1885), Emile Zola (1908)<\/li><li>Des r\u00e9sistants de la Seconde Guerre Mondiale : Jean Moulin (1964),  <span class=\"has-inline-color has-vivid-red-color\"><strong>Germaine Tillon<\/strong><\/span> (2015),<strong><span class=\"has-inline-color has-vivid-red-color\"> Genevi\u00e8ve de Gaulle-Anthonioz<\/span> <\/strong>(2015)<\/li><li>Des inventeurs et scientifiques :<span class=\"has-inline-color has-vivid-red-color\"> <strong>Sophie Bertelot<\/strong><\/span> (1907), Pierre et <span class=\"has-inline-color has-vivid-red-color\"><strong>Marie Curie<\/strong><\/span> (1988), , Louis Braille (1952)<\/li><\/ul>\n\n\n\n<p class=\"has-medium-font-size\">Et beaucoup d&#8217;autres, des hommes politiques, des explorateurs&#8230; <\/p>\n\n\n\n<p style=\"font-size:24px\"><strong>Ce 30 novembre <span class=\"has-inline-color has-vivid-red-color\">Jos\u00e9phine Baker<\/span> y fera son entr\u00e9e devenant la 6e femme \u00e0<\/strong> <strong>\u00eatre transf\u00e9r\u00e9e au Panth\u00e9on apr\u00e8s <span class=\"has-inline-color has-vivid-red-color\">Simone Veil <\/span><span class=\"has-inline-color has-black-color\">en 2018.<\/span><\/strong><\/p>\n\n\n\n<p>Source : https:\/\/www.lumni.fr\/video\/l-histoire-mouvementee-du-pantheon<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Le Panth\u00e9on est un monument, situ\u00e9 dans le Ve arrondissement de Paris, o\u00f9 sont enterr\u00e9s les<a href=\"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/2021\/11\/24\/le-pantheon-aux-grands-hommes-la-patrie-reconnaissante\/\">En savoir plus&#8230;<i class=\"fa fa-long-arrow-right\" aria-hidden=\"true\"><\/i><\/a><\/p>\n","protected":false},"author":21,"featured_media":2016,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[6],"tags":[217,30,218,216],"authors":[{"term_id":78,"user_id":21,"is_guest":0,"slug":"grace","display_name":"Grace"}],"_links":{"self":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-json\/wp\/v2\/posts\/1655"}],"collection":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-json\/wp\/v2\/users\/21"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-json\/wp\/v2\/comments?post=1655"}],"version-history":[{"count":19,"href":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-json\/wp\/v2\/posts\/1655\/revisions"}],"predecessor-version":[{"id":3892,"href":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-json\/wp\/v2\/posts\/1655\/revisions\/3892"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-json\/wp\/v2\/media\/2016"}],"wp:attachment":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-json\/wp\/v2\/media?parent=1655"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-json\/wp\/v2\/categories?post=1655"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/laptitesource\/wp-json\/wp\/v2\/tags?post=1655"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}