
{"id":5554,"date":"2019-12-10T11:08:06","date_gmt":"2019-12-10T10:08:06","guid":{"rendered":"http:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/?p=5554"},"modified":"2020-03-28T16:39:57","modified_gmt":"2020-03-28T15:39:57","slug":"initiation-au-cinema-japonais-akira-kurosawa","status":"publish","type":"post","link":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/initiation-au-cinema-japonais-akira-kurosawa\/","title":{"rendered":"Initiation au cin\u00e9ma Japonais : Akira Kurosawa"},"content":{"rendered":"<p>Parler de cin\u00e9ma sans parler d\u2019Akira Kurosawa rel\u00e8verait d\u2019une ineptie. Alors, dans le cadre de ma s\u00e9rie d\u2019articles sur le cin\u00e9ma asiatique, le premier portera sur l\u2019un des plus influents de celui-ci\u00a0: Kurosawa, v\u00e9ritable artisan d\u2019\u00e9motions et de chefs d\u2019\u0153uvres.<\/p>\n<p><a href=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/kurosawa.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5555\" data-permalink=\"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/initiation-au-cinema-japonais-akira-kurosawa\/kurosawa\/\" data-orig-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/kurosawa.jpg?fit=302%2C506&amp;ssl=1\" data-orig-size=\"302,506\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"kurosawa\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/kurosawa.jpg?fit=179%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/kurosawa.jpg?fit=302%2C506&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"size-medium wp-image-5555 aligncenter\" src=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/kurosawa.jpg?resize=179%2C300\" alt=\"\" width=\"179\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/kurosawa.jpg?resize=179%2C300&amp;ssl=1 179w, https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/kurosawa.jpg?w=302&amp;ssl=1 302w\" sizes=\"(max-width: 179px) 100vw, 179px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Voici une r\u00e9trospective en quelques films, r\u00e9alis\u00e9s dans la p\u00e9riode d\u2019Apr\u00e8s-Guerre, lorsque les propos de fonds et la r\u00e9alisation \u00e9taient encore surveill\u00e9es par l\u2019\u00e9tat Japonais.<\/p>\n<p>&nbsp;<\/p>\n<p><strong><em><u>L\u2019ange Ivre (1948) &#8211; <\/u><\/em><\/strong><strong><u>\u9189\u3044\u3069\u308c\u5929\u4f7f<\/u><\/strong><br \/>\n<a href=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneangeivre.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5556\" data-permalink=\"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/initiation-au-cinema-japonais-akira-kurosawa\/mifuneangeivre\/\" data-orig-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneangeivre.jpg?fit=396%2C258&amp;ssl=1\" data-orig-size=\"396,258\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneangeivre.jpg?fit=300%2C195&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneangeivre.jpg?fit=396%2C258&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"size-medium wp-image-5556 alignleft\" src=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneangeivre.jpg?resize=300%2C195\" alt=\"\" width=\"300\" height=\"195\" srcset=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneangeivre.jpg?resize=300%2C195&amp;ssl=1 300w, https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneangeivre.jpg?w=396&amp;ssl=1 396w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>\u00a0Takashi Shimura\u00a0et\u00a0Toshir\u014d\u00a0Mifune (1948)<\/em><\/p>\n<p><u>Synopsis\u00a0:<\/u> Dans un cadre prenant du Japon d\u2019apr\u00e8s-guerre, un m\u00e9decin alcoolique des quartiers pauvres de Tokyo est contraint de soigner un voyou touch\u00e9 par balles. Le m\u00e9decin d\u00e9couvre que son patient est atteint de tuberculose et se propose de le soigner.<\/p>\n<p>Dur\u00e9e\u00a0: 98min<\/p>\n<p>Format\u00a0: Noir &amp; Blanc<\/p>\n<p>Extrait :<\/p>\n<div class=\"fitvids-video\"><iframe loading=\"lazy\" title=\"L&#039;ANGE IVRE - extrait (VOST - HD restaur\u00e9)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/JamigOCnn8E?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p><strong><u>Le duel silencieux (1949) &#8211; <\/u><\/strong><strong><u>\u9759\u304b\u306a\u308b\u6c7a\u95d8<\/u><\/strong><\/p>\n<p><strong><u><a href=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneduelsilencieux.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5557\" data-permalink=\"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/initiation-au-cinema-japonais-akira-kurosawa\/mifuneduelsilencieux\/\" data-orig-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneduelsilencieux.jpg?fit=496%2C399&amp;ssl=1\" data-orig-size=\"496,399\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneduelsilencieux.jpg?fit=300%2C241&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneduelsilencieux.jpg?fit=496%2C399&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-medium wp-image-5557\" src=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneduelsilencieux.jpg?resize=300%2C241\" alt=\"\" width=\"300\" height=\"241\" srcset=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneduelsilencieux.jpg?resize=300%2C241&amp;ssl=1 300w, https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/mifuneduelsilencieux.jpg?w=496&amp;ssl=1 496w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a><\/u><\/strong>\u00a0<em>Toshir<\/em><em>\u014d<\/em><em> Mifune<\/em><em> lors du tournage. <\/em><em>(1949)<\/em><\/p>\n<p>Synopsis\u00a0: 1944, dans un h\u00f4pital de l&rsquo;arm\u00e9e\u00a0: Par une nuit pluvieuse, le jeune docteur Kyoji Fujisaki op\u00e8re un soldat touch\u00e9 d&rsquo;une balle dans le ventre. D\u00e9bord\u00e9 par son travail, et ayant retir\u00e9 ses gants durant l&rsquo;op\u00e9ration, il se coupe au doigt avec un scalpel. Le lendemain, il apprend que son patient \u00e9tait atteint de la syphilis, et des examens confirment qu&rsquo;il est lui aussi atteint par la maladie. 2 ans plus tard, de retour \u00e0 Tokyo, il rejette par conscience morale la femme qu&rsquo;il devait \u00e9pouser.<\/p>\n<p>Dur\u00e9e\u00a0: 95 minutes<\/p>\n<p>Format\u00a0: Noir et Blanc<\/p>\n<p>Extrait\u00a0:<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=ZSDDLXD91W4&#038;feature=youtu.be\">https:\/\/www.youtube.com\/watch?v=ZSDDLXD91W4&amp;feature=youtu.be<\/a><\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline\"><strong>Un chien enrag\u00e9 &#8211; <\/strong><strong>\u91ce\u826f\u72ac<\/strong> <strong>(1949) <\/strong><\/span><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/chienenrag\u00e9.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5559\" data-permalink=\"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/initiation-au-cinema-japonais-akira-kurosawa\/chienenrage\/\" data-orig-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/chienenrag\u00e9.jpg?fit=630%2C473&amp;ssl=1\" data-orig-size=\"630,473\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/chienenrag\u00e9.jpg?fit=300%2C225&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/chienenrag\u00e9.jpg?fit=630%2C473&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-medium wp-image-5559\" src=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/chienenrag\u00e9-300x225.jpg?resize=300%2C225\" alt=\"\" width=\"300\" height=\"225\" srcset=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/chienenrag\u00e9.jpg?resize=300%2C225&amp;ssl=1 300w, https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/chienenrag\u00e9.jpg?w=630&amp;ssl=1 630w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>takashi shimura (1949)<\/p>\n<p>Synopsis\u00a0: De retour d&rsquo;un exercice de tir, Un policier se fait voler son arme dans un Japon d\u2019apr\u00e8s-guerre. Il part \u00e0 la recherche de son d\u00e9tracteur dans les bas-fonds de Tokyo et d\u00e9couvre qu&rsquo;elle a \u00e9t\u00e9 utilis\u00e9e pour commettre un cambriolage.<\/p>\n<p>Dur\u00e9e\u00a0: 122 min.<\/p>\n<p>Format\u00a0: Noir &amp; Blanc<\/p>\n<p>Extrait\u00a0:<\/p>\n<div class=\"fitvids-video\"><iframe loading=\"lazy\" title=\"CHIEN ENRAG\u00c9 - extrait (VOST - HD restaur\u00e9)\" width=\"800\" height=\"450\" src=\"https:\/\/www.youtube.com\/embed\/8CXpGSm3tso?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p><strong>\u00a0<\/strong><\/p>\n<p><span style=\"text-decoration: underline\"><strong>Scandale\u00a0&#8211; <\/strong><strong>\u919c\u805e <\/strong><strong>(1950)<\/strong><\/span><\/p>\n<p><a href=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/scandale.jpg\"><img data-recalc-dims=\"1\" loading=\"lazy\" decoding=\"async\" data-attachment-id=\"5558\" data-permalink=\"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/initiation-au-cinema-japonais-akira-kurosawa\/scandale\/\" data-orig-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/scandale.jpg?fit=441%2C642&amp;ssl=1\" data-orig-size=\"441,642\" data-comments-opened=\"1\" data-image-meta=\"{&quot;aperture&quot;:&quot;0&quot;,&quot;credit&quot;:&quot;&quot;,&quot;camera&quot;:&quot;&quot;,&quot;caption&quot;:&quot;&quot;,&quot;created_timestamp&quot;:&quot;0&quot;,&quot;copyright&quot;:&quot;&quot;,&quot;focal_length&quot;:&quot;0&quot;,&quot;iso&quot;:&quot;0&quot;,&quot;shutter_speed&quot;:&quot;0&quot;,&quot;title&quot;:&quot;&quot;,&quot;orientation&quot;:&quot;0&quot;}\" data-image-title=\"\" data-image-description=\"\" data-image-caption=\"\" data-medium-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/scandale.jpg?fit=206%2C300&amp;ssl=1\" data-large-file=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/scandale.jpg?fit=441%2C642&amp;ssl=1\" tabindex=\"0\" role=\"button\" class=\"alignnone size-medium wp-image-5558\" src=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/scandale.jpg?resize=206%2C300\" alt=\"\" width=\"206\" height=\"300\" srcset=\"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/scandale.jpg?resize=206%2C300&amp;ssl=1 206w, https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/scandale.jpg?w=441&amp;ssl=1 441w\" sizes=\"(max-width: 206px) 100vw, 206px\" \/><\/a><em>Affiche officielle du film (1950)<\/em><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><\/p>\n<p><em>\u00a0<\/em><\/p>\n<p>Synopsis\u00a0: Dans cette com\u00e9die dramatique, Kurosawa dresse le portrait d\u2019une chanteuse et d\u2019un jeune peintre. Alors qu&rsquo;ils conversaient tranquillement sur le balcon d&rsquo;un h\u00f4tel, les deux protagonistes sont photographi\u00e9s par les reporters d&rsquo;un journal \u00e0 scandales. Aussit\u00f4t les deux jeunes gens font la couverture du journal. Le jeune peintre impulsif d\u00e9barque \u00e0 la r\u00e9daction et exp\u00e9die l&rsquo;\u00e9diteur au tapis. Un proc\u00e8s retentissant s&rsquo;engage o\u00f9 h\u00e9las tout semble jou\u00e9 d&rsquo;avance, le r\u00e9dacteur ayant soudoy\u00e9 l&rsquo;avocat du jeune peintre.<\/p>\n<p>Dur\u00e9e\u00a0: 105min.<\/p>\n<p>Format\u00a0: Noir &amp; Blanc<\/p>\n<p>Extrait\u00a0:<\/p>\n<div class=\"fitvids-video\"><iframe loading=\"lazy\" title=\"\u919c\u805e\u30b9\u30ad\u30e3\u30f3\u30c0\u30eb\u00a0- Sh\u016bbun - Scandal (1950) HD [English Subtitles]\" width=\"800\" height=\"600\" src=\"https:\/\/www.youtube.com\/embed\/-yy-I8rCs-o?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<p>&nbsp;<\/p>\n<p>Ces films constituent une tournure dans la carri\u00e8re d&rsquo;Akira Kurosawa et dans le patrimoine du Japon qui ajoute une pierre \u00e0 son \u00e9difice culturel. Sous le contr\u00f4le de l&rsquo;\u00e9tat, le processus de cr\u00e9ation et de r\u00e9alisation du cin\u00e9aste \u00e9taient d\u00e9j\u00e0 \u00e9labor\u00e9s, c&rsquo;est alors avec brio que sa dimension artistique n&rsquo;a cess\u00e9 de cro\u00eetre lorsqu&rsquo;il s&rsquo;est affranchi de ses id\u00e9aux d\u00e9mocratiques lors de l&rsquo;occupation. Nous verrons donc prochainement les autres p\u00e9riodes qui \u00e9difient son oeuvre globale.<\/p>\n<p>C\u00e9dric Rossi<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Parler de cin\u00e9ma sans parler d\u2019Akira Kurosawa rel\u00e8verait d\u2019une ineptie. Alors, dans le cadre de ma s\u00e9rie d\u2019articles sur le<\/p>\n","protected":false},"author":54,"featured_media":5558,"comment_status":"open","ping_status":"open","sticky":true,"template":"","format":"standard","meta":{"advanced_seo_description":"","jetpack_seo_html_title":"","jetpack_seo_noindex":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","enabled":false},"version":2}},"categories":[63],"tags":[],"class_list":["post-5554","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-culture"],"jetpack_publicize_connections":[],"jetpack_featured_media_url":"https:\/\/i0.wp.com\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-content\/uploads\/scandale.jpg?fit=441%2C642&ssl=1","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p8bhOF-1rA","jetpack-related-posts":[],"_links":{"self":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-json\/wp\/v2\/posts\/5554"}],"collection":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-json\/wp\/v2\/users\/54"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-json\/wp\/v2\/comments?post=5554"}],"version-history":[{"count":4,"href":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-json\/wp\/v2\/posts\/5554\/revisions"}],"predecessor-version":[{"id":5748,"href":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-json\/wp\/v2\/posts\/5554\/revisions\/5748"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-json\/wp\/v2\/media\/5558"}],"wp:attachment":[{"href":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-json\/wp\/v2\/media?parent=5554"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-json\/wp\/v2\/categories?post=5554"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.ac-nancy-metz.fr\/webjournal-julie-daubie-rombas\/wp-json\/wp\/v2\/tags?post=5554"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}